{"id":1268,"date":"2013-03-12T21:24:09","date_gmt":"2013-03-12T21:24:09","guid":{"rendered":"http:\/\/atantalus.com\/blog\/?p=1268"},"modified":"2013-04-09T12:00:36","modified_gmt":"2013-04-09T12:00:36","slug":"time-to-get-alone","status":"publish","type":"post","link":"https:\/\/atantalus.com\/blog\/2013\/03\/time-to-get-alone\/","title":{"rendered":"Time To Get Alone"},"content":{"rendered":"<p><a href=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/slopes.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" alt=\"slopes\" src=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/slopes.jpg\" width=\"250\" height=\"376\" \/><\/a>Out of all the songs that Brian Wilson and the Beach Boys have produced, it&#8217;s odd that this one\u00a0particular song has always struck such a chord with me.<\/p>\n<p>Why?\u00a0I&#8217;m not all together sure. The wintry sentiment coupled with the charmingly personal lyrics are all very endearing. And, if you pay attention, the production will blow you away.<\/p>\n<p>Dig deeper and you&#8217;ll find classic Brian\u00a0innocence\u00a0and heartfelt\u00a0yearning for escape, with more nods to that\u00a0earth-mother-goddess character\u00a0we&#8217;ve <a title=\"A song a year: The Beach Boys (pt1)\" href=\"https:\/\/atantalus.com\/blog\/2012\/10\/a-song-a-year-the-beach-boys-part-1\/\">spoken about before<\/a>.<\/p>\n<p>The lyrics may be idealised escapism, but the story around the production of the song is somewhat tragic, starting with hope and ending in\u00a0emotional\u00a0manipulation.<\/p>\n<p>The song was eventually released on 1969&#8217;s\u00a020\/20 Album, where it was sandwiched among a rag bag of left overs to\u00a0fulfil\u00a0a recording contract. All very &#8220;Beach Boys&#8221;.<\/p>\n<h2>Listen, listen, listen<\/h2>\n<p><span style=\"font-size: 16px; line-height: 1.4em;\">But let&#8217;s start with the song.<\/span><\/p>\n<blockquote><p>Brian has said (<a href=\"http:\/\/albumlinernotes.com\/Friends___20_20.html\">in the Friends \/ 20\/20 Liner Notes)<\/a><\/p>\n<p>\u201cTime To Get Alone\u201d was another waltz. The intimacy of the lyrics, such as \u201cI looked in your eyes and what did I see, I saw love in your eyes,\u201d coupled with the moving instrumental track and Carl\u2019s voice and our voices made for a spectacular record.<\/p><\/blockquote>\n<p>And it is a\u00a0spectacular, shining record.\u00a0Listen to how the waltz background is constructed. Instead of a single instrument playing a straight 3 hits of the chord we find a staccato pattern created by different instruments merged and intertwined with each other. Piano, Harpsichord, Harmonium.\u00a0Fantastic stuff and classic Brian.<\/p>\n<p>Out of the two Beach Boys versions available, you really must seek out the the\u00a0<a href=\"http:\/\/albumlinernotes.com\/Hawthorne__CA.html\">alternate\u00a0version<\/a>\u00a0on the &#8220;<a href=\"http:\/\/albumlinernotes.com\/Hawthorne__CA.html\">Hawthorne CA<\/a>&#8221;\u00a0collection. This adds something very special to the middle eight. (More of which, later).<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"980\" height=\"552\" src=\"https:\/\/www.youtube.com\/embed\/f3ZtIkMBs_E?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>The harmonies and production are all glorious, but something doesn&#8217;t quite sound right in the 1969 context. Something is wrong. What can it be?<\/p>\n<h2>Waiting for the day<\/h2>\n<p>The initial track for &#8220;Time to Get Alone&#8221; was actually created in 1967. There then followed various attempts at overdubbed\u00a0backing\u00a0vocals (instigated mainly by Carl) before the record was rolled out to the world in 1969.<\/p>\n<blockquote><p><span style=\"font-size: 16px; line-height: 1.4em;\">The details form the Hawthorne Liner notes state this:<\/span><\/p>\n<p><span style=\"font-size: 16px; line-height: 1.4em;\">Basic Track 10\/14, 10\/15\/67; Lead vocals 11\/67, Backing vocals 10\/68\u00a0<\/span><br \/>\nLead: Carl and Brian<\/p><\/blockquote>\n<p>This timing falls slap bang in the middle of a very interesting time for Brian and the Beach Boys. Scholars of Beach Boys history will know that SMiLE was abandoned in April &#8217;67. The\u00a0consensus\u00a0seems to have Brian as a burned out drug casualty overcome by the magnum opus that was Sgt Pepper. Or Capitol playing funny games with the nascent Brother Records. Or Mike just being a penis.<\/p>\n<p>&#8220;Smiley Smile&#8221; was sent out as the proverbial &#8220;bunt instead of a home run&#8221; (as Carl said at the time). A rag bag SMiLE\u00a0replacement\u00a0of\u00a0&#8220;acid casualty doo wop&#8221; that is used to prove the point of an ailing Brian.\u00a0Yet &#8220;Time to Get Alone&#8221; (along with other pop bombshells) was being recorded at this very time, between SMiLE and Wild Honey. Huh?<\/p>\n<p><span style=\"font-size: 16px; line-height: 1.4em;\">Now to the first shock of the day.<\/span><\/p>\n<h2>Not Meant for You<\/h2>\n<p><a href=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smileairport11.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1322\" data-permalink=\"https:\/\/atantalus.com\/blog\/2013\/03\/time-to-get-alone\/smileairport11\/\" data-orig-file=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smileairport11.jpg\" data-orig-size=\"601,341\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"See my friends (no Beach Boys need apply)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smileairport11-300x170.jpg\" data-large-file=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smileairport11.jpg\" class=\"alignleft size-full wp-image-1322\" alt=\"See my friends (no Beach Boys need apply)\" src=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smileairport11.jpg\" width=\"601\" height=\"341\" srcset=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smileairport11.jpg 601w, https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smileairport11-300x170.jpg 300w, https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smileairport11-500x283.jpg 500w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a>&#8220;Time to Get Alone&#8221; is NOT a Beach Boys song.<\/p>\n<p>Nope, it was not originally for the Mike-ster and company. For the original recording of &#8220;Time to Get Alone&#8221; Brian teamed up with his good\u00a0friend\u00a0Danny Hutton <em>(far left of this photo from early 1967 when Brian called up all his friends to greet him at LA Airport in an effort to rally the troops for an ailing SMiLE project).<\/em><\/p>\n<p>The group was called &#8220;Redwood&#8221; and Brian spent a great deal of time and energy recording this and other tracks in the summer of &#8217;67. (Redwood would become <a href=\"http:\/\/en.wikipedia.org\/wiki\/Three_Dog_Night\">Three Dog Night<\/a>, the very popular late sixties pop-rock-blue-eyed-soul outfit).<\/p>\n<p>Redwood recorded two or more tracks with Brian in mid-1967. Darlin&#8217; (the eventual Beach Boys hit) and Time to Get Alone.\u00a0The original Redwood multi-track tapes were <a href=\"http:\/\/smileysmile.net\/board\/index.php?topic=10675.10;wap2\">recorded in Summer 1967<\/a>, with drums, bass, strings and trumpets and Redwood&#8217;s vocals. Audio experts have all but confirmed that the Beach Boys track (as released and the alternate version) have the exact same basic track as this Redwood version.<\/p>\n<p>Hmm. So the Beach Boys version is not a re-recording but a re-using of the original Redwood tapes with a convoluted set of overdubs added first by Brian and then by Carl. (Oddly, a 1968\/9 Beach Boys re-record does actually exist, but is unreleased. Also, do you want to see more on <a href=\"http:\/\/smileysmile.net\/board\/index.php?topic=10675.5;wap2\">the recording, mixing<\/a>? Oh, not that much. Oh well.)<\/p>\n<p>Listening to the production and musical interplay you can really see how Time to Get Alone is the &#8220;<a href=\"http:\/\/www.surfermoon.com\/essays\/llvs_HandV.html\">natural artistic descendant<\/a>&#8221; of Heroes and Villains. So what happened?<\/p>\n<h2>The Beginnings of a SMiLE<\/h2>\n<p>&#8220;Time to Get Alone&#8221; has always\u00a0mysteriously\u00a0and intriguingly been linked with <a title=\"The SMiLE you send out\u2026\" href=\"https:\/\/atantalus.com\/blog\/2011\/11\/the-smile-you-send-out\/\">SMiLE<\/a>. How so?\u00a0It was recorded much later (well a couple of months, which is like 20 years in 60s popular culture time) and never appears on any of the bootlegs or final\u00a0released\u00a0version of SMiLE, so why?\u00a0To explain this we are probably best starting with the beginnings of the SMiLE idea itself.<\/p>\n<p>Many people\u00a0have argued long and hard about the SMiLE sessions. But let&#8217;s skip all the conjecture, ignore the baggage and go with the gut feeling you get from the music itself. What you have is an expansive, light, breathy, almost rustic sound that is juxtaposed with an\u00a0instrumental\u00a0deftness of touch and, of course, the fantastical lyrical meanderings.<\/p>\n<p>So why did a twenty-something\u00a0from LA suddenly grasp on to the idea of this rustic, layered, natural setting for SMiLE?<\/p>\n<h2>Lake Arrowhead Home<\/h2>\n<p><a href=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/11981808.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1277\" data-permalink=\"https:\/\/atantalus.com\/blog\/2013\/03\/time-to-get-alone\/attachment\/11981808\/\" data-orig-file=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/11981808.jpg\" data-orig-size=\"500,375\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"11981808\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/11981808-300x225.jpg\" data-large-file=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/11981808.jpg\" class=\" wp-image-1277 alignleft\" alt=\"11981808\" src=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/11981808-300x225.jpg\" width=\"300\" height=\"225\" srcset=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/11981808-300x225.jpg 300w, https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/11981808-400x300.jpg 400w, https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/11981808.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Brian was in the Lake Arrowhead area of California in early 1966 to\u00a0record\u00a0the <a href=\"http:\/\/www.dailymotion.com\/video\/xcu3ez_the-beach-boys-pet-sounds-promo-fil_music#.UT9LmNbF98E\" target=\"_blank\">Pet Sounds promo videos<\/a>.\u00a0Bill\u00a0Tobelman <a title=\"The Out-Of-Sight! SMiLE Site\" href=\"http:\/\/www.goodhumorsmile.com\/page205.htm\" target=\"_blank\">presents a fascinating theory<\/a> about how this led to the idea of SMiLE. And it&#8217;s one that resonates with me more than any of the &#8220;they took lots of drugs and did crazy stuff&#8221; tales (repeated ad-nauseam by that curious band of Mike Love apologists ever since).<\/p>\n<p>Tobelman points out all the fascinating details that would come to form the ideas and visions of SMiLE. He explains how Brian&#8217;s &#8220;trip&#8221; at Lake Arrowhead was an &#8220;enlightening spiritual experience in the conceiving of the Beach Boys&#8217; next album and single.&#8221;<\/p>\n<p>And all the ideas are there. Lamps, halls, towers, dams, railways,\u00a0Indians. Take your pick!<\/p>\n<p>It&#8217;s no\u00a0coincidence\u00a0that Brian <a href=\"http:\/\/movielanddirectory.com\/tour-location.cfm?location=18745&amp;address=192%20Garden%20Dr&amp;city=Lake%20Arrowhead&amp;state=california\">moved back to live at Lake Arrowhead<\/a> circa 2000&#8230; just as he set about\u00a0completing\u00a0SMiLE.<\/p>\n<h2>Lets go away for a while<\/h2>\n<p>It seems to me that &#8220;Time to Get Alone&#8221; encapsulates that personal escape that lake Arrowhead provided to Brian. The big ideas were for the grand spiritual and historic journey that became the SMiLE adventure&#8230; but &#8220;Time to Get Alone&#8221; is the personal side of that escape.<\/p>\n<p>The middle eight in the alternate version (and the Redwood version) of Time To Get Alone clearly alludes to what we knew as the &#8220;Look&#8221; <a style=\"display:none;\" href=\"https:\/\/thesquarepdx.org\/generic-levitra\/\">buy non generic levitra<\/a> segment of SMiLE (what became &#8220;Song for Children&#8221; in the new SMiLE). \u00a0The suddenly expansive horns and joyful whistling echo a half forgotten melody that the protagonist may remember from earlier times. Perhaps it is a child like wish to escape, or perhaps a knowing nod to previous loftier ambitions. Or both.<\/p>\n<p>To me, &#8220;Time to Get Alone&#8221; feels like an idealised adventure in the pine scented, snow clad hills around Lake Arrowhead, without the artistic weight of SMiLE and the beast it would become.<\/p>\n<p>It is also interesting to note that in 2004 when Brian finished SMiLE and played it live, he chose to open the first set (after the\u00a0acapella\u00a0section) with &#8220;Time to Get Alone&#8221;. Nice.<\/p>\n<p>But back to 1967&#8230;<\/p>\n<h2>Time to Get Alone<\/h2>\n<p><span style=\"font-size: 16px; line-height: 1.4em;\"><a href=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smile16beachboyssmile.l.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1284\" data-permalink=\"https:\/\/atantalus.com\/blog\/2013\/03\/time-to-get-alone\/smile16beachboyssmile-l\/\" data-orig-file=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smile16beachboyssmile.l.jpg\" data-orig-size=\"700,469\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"No Pressure\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smile16beachboyssmile.l-300x201.jpg\" data-large-file=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smile16beachboyssmile.l.jpg\" class=\"alignright size-medium wp-image-1284\" alt=\"No Pressure\" src=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smile16beachboyssmile.l-300x201.jpg\" width=\"300\" height=\"201\" srcset=\"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smile16beachboyssmile.l-300x201.jpg 300w, https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smile16beachboyssmile.l-447x300.jpg 447w, https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/smile16beachboyssmile.l.jpg 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Imagine for a moment an increasingly exasperated, but still very creatively active Brian in 1967. (I mean, cripes, he\u00a0released\u00a0Smiley, Wild Honey and had his Redwood experiment all in a matter of months). Imagine a\u00a0Brian who is fed up of the baggage and\u00a0manipulation\u00a0that comes with the Beach Boys.\u00a0Imagine the\u00a0frustration\u00a0with all the second\u00a0guessing of his\u00a0creative leanings. Imagine what a miserable\u00a0place\u00a0the studio would be when the boys show up.<\/span><\/p>\n<p>This quote from Brian in 1968 (found in <a title=\"Look, Listen, Vibrate, SMiLE\" href=\"http:\/\/www.amazon.co.uk\/Listen-Vibrate-Smile-Domenic-Priose\/dp\/0867194170\/ref=sr_1_1?ie=UTF8&amp;qid=1365508138&amp;sr=8-1&amp;keywords=Look%2C+Listen%2C+Vibrate%2C+SMiLE\">Look, Listen, Vibrate, SMiLE<\/a>) kind of sums up the confused situation in Brian&#8217;s mind.<\/p>\n<blockquote><p>&#8220;Early 1967, I had planned to make an album entitled SMILE. I was working with a guy named Van Dyke Parks, who was collaborating with me on the tunes, and in the process we came up with a song called &#8216;Surf\u2019s Up,&#8217; and\u00a0I performed that with just a piano on a documentary show made on rock music.<\/p>\n<p>The song &#8216;Surf\u2019s Up&#8217; that I sang for that documentary never came out on an album, and it was supposed to come out on the SMILE album, and that and a couple of other songs were junked &#8230; because I didn&#8217;t feel that they &#8230; I\u00a0don&#8217;t know why, I just didn&#8217;t, for some reason, didn&#8217;t want to put them on the album &#8230; and the group nearly broke up, actually split up for good over that, that one &#8230; the decision of mine not to put a lot of the things that we&#8217;d cut for the album SMILEY SMILE on the album, and so for like almost a\u00a0year, we&#8217;re just now kind of getting back together &#8230; because I didn&#8217;t think that the songs really were right for the public at the time, and I didn&#8217;t have a feeling, a commercial feeling, about some of these songs that\u00a0we&#8217;ve never released, and &#8230; maybe I &#8230; some people like to hang onto certain things and &#8230; just as their own little songs that they&#8217;ve written almost for themselves.<\/p>\n<p>And a lot of times, you know, a person will write and will realize later that they&#8217;re &#8230; it&#8217;s not commercial, you know, but what they&#8217;ve written is nice for them, but a lot of people just don&#8217;t like\u00a0it.&#8221; -Brian Wilson, 1968<\/p><\/blockquote>\n<p><span style=\"font-size: medium;\"><span style=\"line-height: 1.4em;\">I&#8217;ve always found it almost too obvious&#8230; &#8220;I&#8217;ll give you SMiLE then. Here you go: Smiley Smile&#8230;&#8221; (then blowing a\u00a0raspberry&#8230; mainly to his\u00a0<\/span><\/span>band-mates,<span style=\"font-size: medium;\"><span style=\"line-height: 1.4em;\">\u00a0maybe to himself,\u00a0maybe to the world in general?). Brian didn&#8217;t WANT to give SMiLE to &#8220;some&#8221; people. That&#8217;s the crux.\u00a0<\/span><\/span>At the same time Brian is recording a song about escaping the city and all the &#8220;people&#8221;. Time to Get Alone indeed.<\/p>\n<p>Now this passive aggressive behaviour may not be all together adult and civilised but we ARE talking about the Beach Boys. What do we expect?\u00a0The tragic thing is that it didn&#8217;t work. Chuck Negron (from Redwood\/Three Dog Night) puts it like this:<\/p>\n<blockquote><p>&#8220;It all came to a head&#8230;when Mike Love, Carl Wilson and Al Jardine came to the studio and heard our version of &#8216;Time To Get Alone&#8217;&#8230;They manoeuvred Brian into the control booth and reduced him to tears. It was a cruel and pathetic scene. Danny, Cory and I were in the studio and could see it all happening through the control-booth window. It was as if Brian had turned into a little boy. The conversation appeared quiet and calm, but we could tell it was emotional and intense.<\/p>\n<p>The others were doing most of the talking, like overbearing, controlling parents. Brian would move away, and they would block his escape. We couldn&#8217;t hear what was being said, but I think a good lip-reader would have picked up something like, &#8216;We don&#8217;t give a shit about these guys, and we want those songs for us.&#8217;<\/p>\n<p>We could actually feel Brian crumbling, and when he came out of the booth, a tear dropped down his cheek. His head was lowered and his shoulders sagged. It was the body language of a child who had just been scolded and punished. And this brilliant musical icon &#8211; whose songs defined one generation and influenced another &#8211; weepingly told us, &#8216;We can&#8217;t do this. I have to give the songs to them. They&#8217;re family and I have to take care of my family. They want the songs. I&#8217;ll give you any amount of money you want to finish an album, but I can&#8217;t produce it. They won&#8217;t let me.&#8221;<\/p>\n<p>(Priore, Domenic (2007).\u00a0<i>Smile: The Story of Brian Wilson&#8217;s Lost Masterpiece<\/i>. p.\u00a0129)<\/p><\/blockquote>\n<p>This says it all. It is the tragedy of the Beach Boys and Brian. A mentally fragile Brian can&#8217;t escape this extended family of people grown so use to\u00a0living\u00a0off his talent.<\/p>\n<h2>No Break Away<\/h2>\n<p>Brian&#8217;s uplifting, personal, escapist statement is appropriated by the commercial wing of the family as they see a vague opportunity for a hit song. &#8220;You can give away your money, but your songs belong to us&#8230;&#8221;<\/p>\n<p>All very healthy.<\/p>\n<p>Can you then imagine this controlling &#8220;family&#8221; deciding to move a studio in to your own house so they can make it easy for the creative force behind the group to spend all their time providing the family with more songs?\u00a0All he has to do is come downstairs and start recording with the Mike-ster.<\/p>\n<p>You&#8217;d stay in bed too, wouldn&#8217;t you? (and it must have contributed to the full scale breakdown that happened in the following months). Very sad.<\/p>\n<p>But that doesn&#8217;t detract from the song itself. It bristles with hope and joy and escape and\u00a0I love it despite the sadness&#8230; or maybe because of it.<\/p>\n<p><em>Call me crazy, but I have always somehow linked &#8220;Time to Get Alone&#8221; with the Beatles&#8217; &#8220;Hello, Goodbye&#8221;. <\/em><\/p>\n<p><em>That too was a heady pop swan-song to the creativity of 1967. One last shot at the stars before the back-to-basics movement took hold in 1968&#8230; A movement almost accidentally started by Brian in a sort of passive aggressive way in 1967. Ha!\u00a0<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Out of all the songs that Brian Wilson and the Beach Boys have produced, it&#8217;s odd that it is this one particular song that has always struck such a chord with me. Why? Find out the story.<\/p>\n <a class=\"more-link\" href=\"https:\/\/atantalus.com\/blog\/2013\/03\/time-to-get-alone\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a>","protected":false},"author":2,"featured_media":1276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15,1],"tags":[19,20,21,23,22],"class_list":["post-1268","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-uncategorized","tag-beach-boys","tag-brian-wilson","tag-mike-love","tag-smile","tag-time-to-get-alone"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/atantalus.com\/blog\/wp-content\/uploads\/2013\/03\/slopes.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1HDTn-ks","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/posts\/1268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/comments?post=1268"}],"version-history":[{"count":56,"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/posts\/1268\/revisions"}],"predecessor-version":[{"id":1288,"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/posts\/1268\/revisions\/1288"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/media\/1276"}],"wp:attachment":[{"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/media?parent=1268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/categories?post=1268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atantalus.com\/blog\/wp-json\/wp\/v2\/tags?post=1268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}